Showing posts with label Laura Siegel. Show all posts
Showing posts with label Laura Siegel. Show all posts

Tuesday, March 26, 2013

Patchwork Trousseau



Eight years ago, my man and I got legally married, me in a white linen skirt and black hoodie, him in blue Dickies and a raglan sweater. The following day, we had some sort of family function (on my side), where, if my memory serves me correctly, we proceeded to tell no one who had not been there about the events of the day before. On that day, I wore the same black hoodie, and a patchwork skirt I bought at a farmer's market in Seattle, the skirt being of the exact same palette as Laura Siegel's Fall 2013 collection. I shall wear the skirt tomorrow, and tell no one of what happens today...

(Photos by George Pimentel, via Flare.com)


P.S. If you're not into the colours Laura uses, OAK has an exclusive line of her pieces in black. Really. Personally, I like Laura's earthy palettes, especially when they trigger memories. But black always works, and I'm not really sure where else you can get Laura's beautiful work anyway.


Wednesday, March 14, 2012

Laura Siegel, F/W 12




Ah, I am so happy that Laura Siegel shows in both New York and Canada. I had received an invite to her presentation/showroom in New York but, obviously, couldn't go. To add to that misery, after scouring the Internets, I couldn't find any photos that clearly showed Laura's new creations. But pictures have just gone up of her show at Toronto's Fashion Week (oddly named World MasterCard Fashion Week, though I suppose it's not any weirder than 'Mercedes-Benz Fashion Week'...), so here are a few for us to gaze upon. It's good to see Laura getting increasing amounts of attention, especially as she continues to be concerned about eco-friendly sourcing and production (there's that word again). More people should care like her and succeed. The pretty clothes nearly take my cough away too.

(Photos via FDCC's Facebook)


Tuesday, October 18, 2011

Laura Siegel, S/S 12




While I have never before wanted to go to Toronto (at least to my recollection), I would have preferred being there this afternoon than my hometown. The reason being that former kOs-interviewee Laura Siegel finally resurfaced and was showing her S/S 12 collection at Toronto Fashion Week. Laura spent six months in India and South-East Asia to collaborate with artisans, such as those in the Dhebaria Rabari Tribe, to come up with the dye work, embroidery, and textiles within this very airy collection. Quite a different direction from her nomadic graduate collection, but still focusing on sustainable creations. Rather lovely, don't you think? Not to mention perfect, and making me willing to forego my usual blacks and greys. I am going blonde, after all. Also, for the second time I find myself thinking about Libby from LOST as a result of seeing pretty floaty island-ish clothing. I didn't even like her that much as a character, so I'm not really sure what's going on there. What I am sure of, however, is that bad bridesmaids dresses have given sea-foam as a colour an undeserved bad name, as Laura and Inbar Spector have both proved its worth.

(Photos via FDCC's Facebook)


Tuesday, September 21, 2010

Top 18 Finds of Summer '10



I feel like I should've posted this even before my trip, as it's been fall here for a few weeks and some trees have already lost most of their leaves. Did I mention it's supposed to snow this week? Also, this is the first of my Top Finds posts that I now have to label with a year, since I've already done a top summer post here on kOs before. In case you were wondering. Ah, it's good to have my scarves back. Though they were never really gone. But before I (continue to) enjoy them, here's some warmer articles to (re-)read first.

1) Designer: Wolfgang Jarnach
2) Fashion grad student: Laura Siegel
3) Label: SHIN
4) New collection: Dori Tomcsanyi's S/S 10 collection, Marie Saint Pierre's F/W 10/11 collection
5) Fashion show: Fashion's Night Out - The Show
6) Basic piece: Button up shirt from Wolfgang Jarnach, Mad Marv jeans from Ravishing Mad
7) Future purchase: Emily Ryan dress
8) Future purchase if I win the lottery: Anything from Marc le Bihan.
9) Most musical post: Interview with Tyler W
10) Favorite new-to-me album: Swing Swing by Nicolas Repac
11) Best use of cross-stitch: This, from Susie Quillinan.
12) Most interesting way to recruit blood donors: This.
13) Most worn pieces: complexgeometries wave t, mydearthing Carly Dress
14) Most proud moment: Konrad Parol on Dazed Digital
15) Most commented on thing worn in NYC: ArtLab's Couture Pleated Harness No. 3
16) Best vacation ever (ie. Biggest understatement ever): One spectacular week in Brooklyn and Manhattan.
17) Most bizarre vacation ever: This, as depicted by some ArtLab skirts.
18) Most amazing insect-inspired dress ever: This, by Donovan Tjon.


Tuesday, June 22, 2010

Interview with Laura Siegel



From the moment I saw one of Laura Siegel's graduate collection pieces posted on Bobbin Talk, I knew I needed to see more. And then, a couple of weeks later when Laura was nominated along with nine fellow graduating students to be the 2010 Womenswear Designer of the Year at Parsons, I was absolutely delighted to see a little bit more of her work. The glimpse, however, was just a profile shot of a rack full of clothes, and so my curiosity was not satiated in the least. Eventually my online inquiries were answered and I got in touch with Laura herself. Now, I know that I usually post something about a designer before doing an interview with them. But with a limited amount of photos and such incredible designs, I decided to hit you with a 1-2 Laura Siegel punch. A zen punch, that is. Oh, and did I mention that this gal is originally from Toronto? 

***

How did you get into fashion design?

In high school I usually pushed academic homework into a more creative route.  I wasn’t skilled in drawing at all, but loved creating things in my mind and 3-dimensionally.  Designing clothes in my conscience was a constant passion, but never considered it a career option until I was applying for Universities.  I ruled out fashion because one of the requirements was a portfolio, which of course I didn’t have.  I decided I would start taking art classes.  4 months later I put every drawing, painting and sculpture I had done in that time into a portfolio and sent it off to Parsons.

What is the first piece you remember designing?

A fake-furred cow printed skirt---made it with a friend before either of us really knew how to sew - I was 8.

What is your most treasured piece of clothing, either bought or handmade?

I can’t pick just one! But I do have a piece of jewelry that tops them all.  It is silver with tiny decorative incisions and impressions.  I got that from my Grandma when I turned 20.  She got it when she was 20 from her father with family engravings inside.  The Spanish hand that made it is very good at their craft with an eye for beauty.


What was the inspiration for your graduate collection? Why did you choose to use natural materials and dyes?

My inspiration came about after travel around the world for a year and having that constant change of surrounding, which made me want to create a home for the body.  I took that by implementing comfortable fabrics, materials and soft textures.  There are a lot of knits and down pieces throughout the collection.  I stuck to using natural fibers and dyes simply because our skin and bodies are natural, so it is simply second nature to want to be touching and wearing the same.  With the harmful affects evolving technology seems to be posing on our lives these days, it is nice to be able to surround our bodies and wear clothes that are one with our skin.

Do you wear your own designs?

Definitely.  I design for a woman very similar to myself, and because most of the collection, if not all, is one size fits all, I wear pieces all the time.

What is your favorite piece from your graduate collection?

I have a few favorites.  One would be the batik-tee.  This is just because the illustrations are all stories from the memories of my travels – it’s very sentimental.  The leather jacket is another favorite (below right).  From the shape and seaming, it turns into a bag, which was fun to figure out. 


Do you listen to music while you design, and what is your favorite?

Music helps me disconnect myself from the distractions of life.  Depending on my mood, I might put on some Jason Mraz, TV on the Radio, or the xx (and sometimes I might throw in a little hip-hop-Jay-Z).

Would you want to put your graduate collection into production if given the opportunity, or are you ready to move on to something else?

I would love to put anything I make into production.  A lot of what I do is one-of-a-kind, so every piece will be different from the first, however with the same heart and hand involved.

I am excited and have started designing other concepts, but will be expanding this collection over the next couple of months.

What is the most important thing you've learned while studying at Parsons?

The most important thing I have learned is to always have a strong validated opinion.  Design can mean so many different things, what is special about an individual’s design is not defined by the number of people praising the work, but the designers ability to step away from what the individual has seen in the past with strong research and corroboration for what his or her unique vision is. 

Something else I think is vital to the design process that I have learned at school is to be authentic and thoughtful.  Despite design being a visual presentation, it is the thought process that results in amazing work.  Some of my peers constantly amaze me with how creative different minds can be, and being surrounded by these talents is really inspiring.  I’ll definitely miss it!


If you could design an outfit for anyone, who would it be?

I would love to dress all those who dream to live a relaxing, zen life, as though on travels, no matter where they are.

What do you have planned after graduation?

My current plans are to stay in New York.  However, one of my strong interests is to work one on one with the craftsmen of communities around the world and help sustain their talents.  My ideals would be to design here in New York for a company that shares similar values.

In terms of expanding the collection, I want to start something new, but don’t think I am ready to just yet.  Currently, I am knitting some pieces to expand, but sometimes I surprise myself and take a different route in the process of experimentation, so who knows.


***

With such a solid collection under her belt and quite a good head on her shoulders, I think it goes without saying that Laura Siegel is one to watch. By the way, for all of you lucky enough to be in New York, Laura's pieces will be sold at the Debut boutique this month. Sigh.


Photos by Federico Peltretti