Wednesday, November 25, 2009

Carrots are good for you



And speaking of Finnish clothing (although I'm certain this is of the highest quality), I'm rather excited that some of Maria Matintytär Maattola's work will be available online very very soon, including those wondrous 'carrot' pants of Jaana's (similar brown ones pictured above). While I'm waiting though, I'll be oogling these gorgeous high-waisted, drapey pocket, carrot-ish plaid pants and jeans by Swedish Anna Österlund's Ravishing Mad label. I'm pretty sure these are the most perfect jeans ever, as they combine the curved waistband of my dream pair of Diesel jeans, the skinny legs of my Buffalo jeans, the drapey pockets of Georgy Baratashvili's pants, and Maria's carrot-shaped pocket pants. I'd buy those jeans in a second if they were available, and perhaps in a different wash. I wouldn't be tucking my shirt into the jeans though - my high-waisted pants are for coverage and comfort, not...high-waistedness.


P.S. Check out more of Ravishing Mad here.


Qualitas


I just read a fabulous post by Finnish blogger stellagee of outrageous outings. I can't entirely relate, as I don't think we have exactly the same situation in Canada, i.e. previously having a solid and supposedly high quality Canadian fashion industry, and now having it disappear in the face of cheaper and lesser quality exported fashions. I could be wrong, but I've always found 'made in Canada' to be quite rare when it comes to clothing. Nonetheless, the article brings up some good points.

1) Is it more ethical to give employment to a local rather than to a Chinese labourer?
2) Does handmade equal artisanship, and is artisanship better than factory labour, as the artisan may have "wasted precious time in producing something meticulous by hand and will never be compensated accordingly"?
3) Do factory produced brand-name products have the same quality as no-name products produced in the very same factories?
4) Were/are nationally made products better than globally made products?

Do read the article, as I can't summarize everything that stellagee says. I just find it interesting, as it touches on a lot of my beliefs re: mass produced clothing. I've never been one to try and only buy Canadian made clothing since I haven't found many Canadian designers to suit my needs. Nevertheless, I do feel that it's important to emphasize that the level of quality of mass-produced clothing has in general dropped exponentially, and this should in no way affect the acceptable quality of handmade/artisanal clothing. As you well know, I am entirely willing to pay more for something that was handmade by its designer, but I do have a very high standard that I am expecting, especially since I'm paying more money and the 'labourer' is already focusing a lot of their time on that piece of clothing (you may remember a past unseemly experience of mine with a certain pair of Canadian-made jodhpurs...). I suppose I'm just afraid that, if the level of quality of mass-produced clothing continues to drop, we may see a corresponding drop in the quality of (some) handmade clothing. So perhaps we as consumers need to all change what labels we support, either brand-names or indie labels, in order to bring back/maintain a level of quality in our clothing that will mean we can wear something for years and years, regardless of who made it. And this would be better environmentally, would it not?


Tuesday, November 24, 2009

Cozy Swamp Thing



Oh my, I love this cozy looking new Attila Design cashmere wool sweater. It's deliciously eccentric, with a touch of Swamp Thing. You can also buy one of Tiina's genius cowl harnesses that looks similar to the one used in the sweater.


Edit: Check out Tiina's shop now for some great autumn sales, including the cowl harness above!


Gareth Pugh's Sliced Wonder



If you're online right now, the last day of Gareth Pugh's LiveStudio session is running into overtime, but it looks like they're just finishing up. Here's a couple of screen shots of Gareth laying the finished dress flat out on the ground, and then just the dress itself. Every piece of the dress has been meticulously hand slashed by Gareth, so this dress is mega stretchy and drapey. I'm pretty sure it'll be way to much for my budget once it goes on sale in the SHOWstudio SHOP though. Sigh.

Edit: The session just ended. Here's one last screenshot with Gareth's hand showing where the front hem ends - the back is longer, like a train. Just lovely!



In This Corner...I Am Not A Paper Cup


I have attempted to go No Impact for the month of November, not a terribly difficult feat considering I don't eat meat, I walk to work and I live in New York, where life is relatively sustainable to begin with. However, one of my apparent vices that I was unable to kick during the past month was buying coffee from local (fair trade, organic) coffee shops in disposable paper cups. I know, I know, coffee is not grown locally, so it's a vice in itself. But I'm taking baby steps!

Enter my new ceramic "paper cup" bought for me yesterday by my very considerate boyfriend. It is available at the MoMA store and Whole Foods, among other places. While it is going to encourage my coffee habit, at least my trash bin at the studio will no longer be filled with used cups and lids. Like I said, baby steps.

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Today's Corner (the very first Corner in fact!) was brought to you by Tara St. James of Study NY, whom I previously mused about here. You can also read more about Tara's first solo collection, The Square Project, here. And stay tuned for an exclusive interview with Tara, coming up soon on this very blog.


(P.S. In case you missed the memo, "In This Corner..." is a new segment on my blog, where a guest designer will write the post and let us all know a little bit about what goes on upstairs. Much more coming up!)


Monday, November 23, 2009

Top somethings



Top favorite clothing-related thing of the day: Discovering the perfect match of a summer dress (my Attila Design Sybil Dress) and a winter accessory (my mydearthing Fingerful Warmers).


Top odd video to start the day with: Watching Gareth Pugh place piece after piece after piece of tape onto a square of plastic and fabric, which eventually became an amazing spliced square of fabric to be used in his LiveStudio created dress.

Top non-favorite sound of the day: Scraping ice from the sidewalk and car windows. It's that time of year again...


Top album of the day that got me to work on my MacBook Pro's very first outing to Starbucks: Salt & Samovar's Old Joy New Joy, courtesy of the lovely Lauren Jones. It helped me get three whole interviews written up in the time it took me to drink a Triple Venti Non-Fat Extra Hot Caramel Brulée Latte!


Top exciting library book for the next two weeks: Skin+Bones: Parellel Practices in Fashion and Architecture, recommended by Emily Howse, and courtesy of my man's hard work and library card.


Top new Vivienne Westwood piece: This dress, available here.

Top new blog project: Starting tomorrow, I will be featuring a new segment on my blog, entitled "In This Corner...". For each Corner, a guest designer will be writing the post and giving us a little inkling of what really goes on in their heads. Stay tuned!

Top interview of the day: My interview with Alexandra Groover, posted below. Read it!


Interview with Alexandra Groover



You may remember when I first came across Alexandra Groover and her designs, as I was ecstatic about both finding my 'fashion soulmate' and coming to the end of finding a replacement for my marriage hoody. This lovely lady has since released a new collection and has been featured in many publications such as i-D magazine. I'm so excited to share with you my interview with Alexandra and photos of her luxurious S/S 10 collection. Enjoy.

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What is the first piece you remember designing?

Even as a child, I remember using nature as my inspiration to design - I was always drawing pictures of dresses that were shaped like the flowers in the garden. I remember very clearly loving the colors and shapes of fuchsias and drawing dresses based on them.

What is your most treasured piece of clothing, either bought or self-made?

Probably the dress that my father bought for my mother in the 1960s when she was 18 years old. It’s an A-line mini dress in lime green voile with a yellow abstract lemon print, empire waist, mandarin collar, and sleeves that gather in at the wrists.

Second to that is the skirt I made in my first sewing class when I was 11 years old. It’s a pretty hideous purple and blue tie-dye print, but I was so proud to wear it and tell people that I made it myself.

You just made your catwalk debut at LFW this past February. How has the response been to your label since then?

The response has been great. My first two seasons have been presented at Vauxhall Fashion Scout, and I plan on working with them for my third season as well. I didn’t expect to be given the chance to work with Vauxhall, so it has all been a blur since my first show with them.

You’re originally from California and now live in London. Are you planning on making London your permanent home?

I think London is a great place for designers to start out. It has a reputation for being a breeding ground for new talent, so the press is always paying attention. There is, however, also a lot of competition here. But I think that’s also what keeps everyone so driven. So to answer your question, I think I will be here for a while.

I’ve seen a few photos of you wearing your own pieces – do you wear them quite regularly, or mainly to fashion events to promote your label?

Yes, I pretty much only wear my designs these days. People often ask me where my clothes are from, and it’s great to be able to say that I have designed them myself. It’s definitely a great way to promote my label, especially because my collections are intended to be autobiographical.

What is your favorite mode of promotion: fashion shows, videos (like the wonderful one you presented at this past LFW), magazine/print features, etc.?

I really enjoy collaborating with other creative people- especially musicians and filmmakers to create multimedia projects. It’s nice to blend creative boundaries a bit because I think that’s when the best ideas and innovations happen.

That said, printed magazines still seem to be the best and most obvious way to reach out to a big range of people. And it is always nice to have beautiful photos of your work printed onto paper, which is something physical that you can hold in your hands.

What is behind your major use of shell-inspired designs in your Black Label and S/S 10 collection?

I am obsessed with natural sciences and the architectural structures of nature. I really enjoy interpreting these forms into clothing. I think the shell fixation comes from my childhood in San Diego, California. While growing up there, I spent many a day on the beach collecting seashells and being so fascinated by the myriad variety of their shapes and structures.

What is your favorite fabric to work with?

I really enjoy felted wool because of its weight and body. It can hold really great shapes. But crepe silks are great too because structurally, they do the opposite.

Would you ever be interested in opening up your own brick-and-mortar shop in London or elsewhere, or do you feel that an online shop and selling your label in other shops is the best for your label?

As a new designer with a very small company, I think that opening a shop is too much of a detour because it is very time and money consuming. I would rather focus on my clothing more, and running a shop would not be a wise investment of my time and money at this point. I would personally prefer to wait until I am established enough to have a strong local and international following. I think small boutiques are a great way to launch if you are a new designer because they already have their own customer following that they can introduce to a new label.

Do you see your label going more the direction of higher end and more formal pieces, as in your Black Label, or will you continue to create some more basic and seasonless pieces, as with your Grey Label?

I prefer to make luxury clothing, which I will continue to focus on. I have merged the Black Label with the Grey Label because I have decided that there is no need to keep the two separate. Black Label will now encompass both formal and casual luxury pieces.

Do you listen to music while you’re working? What inspires you the most?

I listen to a wide variety of musical genres. Lately I have been listening to a lot of ambient and drone music. Drone often has a very circular feeling to me that I can relate to with my clothing designs, which is why I chose to work with a track from Stephen O’Malley of Sunn 0))) for my most recent film piece. I think it complements the shape and feeling of the clothes quite well.

Other regulars on my play list include Philip Glass, Chopin, Swans, Earth, etc.

What do you like to do in your free time?

I go to a lot of art exhibits and antiques markets. I also enjoy photography and I try to run in the park at least once a week to get some fresh air and keep myself from going stir crazy.

If you weren’t a designer, what would you be doing for a career, and where would you see yourself living?

I think I’d definitely be an architect. But that kind of counts as design, so if not that, I would probably be involved in science in some way - probably biology or radiology. I’m not sure where I would be living if I did either of these.

And finally, what is your favorite piece from your new S/S 10 collection?

The shoulder frond dress (pictured above to the left) that I wore for my SS-10 film presentation is my favorite - it happened so quickly and I really like the sculptural shapes on the shoulders paired with the form-fitting silhouette of the dress.

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To see more of Alexandra's work, visit her website and online shop. Also visit her blog for updates on media coverage, shows, and the like.


Sunday, November 22, 2009

Grey perfection



Methinks I should spend my day off tomorrow creating my own grey jersey t-shirt and leg binding masterpiece. This one is from Maison Martin Margiela's Spring 2010 Ready-to-Wear collection. Sigh.

(Photo via Style.com)